Tuesday, February 12, 2019

Essay on the Roles of Trinculo and Stephano in The Tempest

The Roles of Trinculo and Stephano in The tempest Trinculo and Stephano have 2 major roles in The Tempest - comic relief and the theme of exploration. Because of this double nature to their characters, they argon much valuable than they initially appear. The Tempest is a buffoonery. The play whitethorn not seem to fit into the category of comedy as it exists like a shot but in the 17th century comedy was very different. Certainly, The Tempest would never be confused with a modern television comedy - the art of comedy has evolved too far. The main plot of land of the play - the plot involving Prospero regaining his rightful position as the Duke of Milan - seem to be excessively serious for a comedy. The scenes containing Trinculo and Stephano, however are the exceptions here - their scenes are frequently closer to the modern interpretation of comedy than the majority of the rest of the play. Trinculo and Stephano are introduced in act II, scene II. This scene is almost pure lug - the events are totally unrealistic but are, however, quite funny A in effect(p) description of modern comedy, in fact. While the previous scenes in the play have been mostly serious, detailing the back-story, this scene is blatantly opthalmic comedy - in the hands of a good director and good actors, it could turn into a hilarious scene. This scene shows Trinculo and Stephanos main purpose in the play - to provide comic relief. As a direct blood line to the heavy plotting and comparatively serious themes being explored in the other scenes, the scenes involving these two men lighten the plays mood considerably. Without their impact on events, The Tempest would be a lot darker in tone. If Trinculo and Stephano had been le... ...use of this double nature to their characters, they are more important than they initially appear. It is for both these reasons that they are important to the play as a whole without them the play would be missing some important aspects which h elp make it the success it is. Works Cited and Consulted Primary Texts William Shakespeare, The Tempest, ed. Frank Kermode, with an invention by Frank Kermode, (Arden, 1964) Montaigne, Selected Essays of Montaigne, trans. John Florio (1603) ed.Walter Kaiser, with an introduction by Walter Kaiser, (Riverside, 1964) Secondary Texts snappy Breight, Treason doth never prosper The Tempest and the discourse of treason, Shakespeare Quarterly, 41, no.1, (1990) Eric Cheyfitz, The Poetics of Imperialism Translation and Colonization from The Tempest to Tarzan, (Oxford University Press, 1991)

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