Othello - Analysis - Dramatica

falsehood Dynamics. Change principal(prenominal) grapheme Resolve.Othello changes from a noble and merely groom who declares, notwithstanding that I deal the gentle Desdemona, (I,ii,27) to a foul-minded, irrational save who vows, Ill lodge her to pieces. (III,iii,483) He changes from treating her light to striking her in public, calling her a whore, and murdering her in an undue jealous rage. undertake briny Character Growth. Othello must belong to realize that he cant push his spousals victimisation the same straighten discipline and militaristic thinking he uses to rule his soldiers. He must take in to question Iagos motives for accusatory Desdemona of being unfaithful, and verbalism beyond the summon of events for their true nub and greater implications. \nDo-er chief(prenominal) Character Approach. Othello is a man of activeness: His reputation as an effective warrior and drawing card earns him a curb against the Turks and a carriage as governor of Cyprus ; he seizes his vista at bliss with an expedient, secret marriage to Desdemona; he promptly determines Cassios drunken brawling is a disgrace to his drift and strips him of it; once hes convinced of Desdemona and Cassios guilt, he orders Iago to attain Cassio and he kills his wife himself. \nMale Main Character rational Sex. \nOthello moves to solve his problems by using elongated thinking. When Brabantio accuses Othello of using witchery to seduce Desdemona, Othello suggests that she be summoned to give present of their courtship. When hes disturbed by the commotion during the celebration, Othello demands the witnesses determine those responsible, weighs the evidence, and metes out a punishment. When Iago accuses Desdemona of adultery, Othello asks for proof. Having been presented with evidence Othello accepts it on face value, without considering why Iago is defaming Desdemona, or contemplating the big issues surrounding the accusation. \n